Existence a ten, kdo omdlívá ve V(v)ěci Makropulos, Tažení stínů (moderny) a v Duchu (středoevropské) země // Existence and He, Who Faints at The Makropulos Affair, The Campaign of Shadows (Modernism) and The Spirit of the (Central European) Land
作者单位：
Fakulta umění Ostravské univerzity, Katedra teorie a dějin umění
摘要：
This study is concerned with the swooning as one of the characteristic motifs of modernism, arising
from a period of reflexive attention. First it will examine this in the dramas of Arthur Schnitzler Zug
der Schatten and Frank Wedekind’s Erdgeist, then will turn to the demarcated realm of Central European
Modernism (with support from Moritz Csáky’s characterization of Zentraleurope) as located
in the works of Karel Čapek. Janáček’s libreto The Makropulos Affair comments on the basic polemics
in whose background are shown the crucial importance of the motif of fainting in the overall construction
of Čapek’s early works.
出版商：
Univerzita Karlova, Filozofická fakulta
微信
科技工作者之家
京公网安备11010202008424号
